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TID-28061 The Effects of Nuclear Weapons TUstfWflaaeisf is AotkirizIiifOfflicialP—.... y/Wxy DISCLAIMER This report was prepared as an account of work sponsored by an agency of the United States Government. Neither the United States Government nor any agency thereof, nor any of their employees, makes any warranty, express or implied, or assumes any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represents that its use would not infringe privately owned rights. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States Government or any agency thereof. The views and opinions of authors expressed herein do not necessarily state or reflect those of the United States Government or any agency thereof. DISCLAIMER Portions of this document may be illegible in electronic image products. Images are produced from the best available original document. The Effects of Nuclear Weapons Compiled and edited by Samuel Glasstone and Philip J. Dolan Third Edition Prepared and published by the United States Department of Defense and the United States Department of Energy 1977 --------------------------------NOTICE-------------------------------- This report was prepared as an account of work sponsored by the United States Government Neither the United States nor the United States Department of Energy, not any of then employees, nor any of their contractor, subcontractors, or then employees, makes any warranty, express or implied, or assumes any legal liability or responsibility for the accuracy, completeness or usefulness of any information, apparatus, product or process disclosed, or represents that its use would not infringe privately owned rights DISTRIBUTION O' O'iS pOCUMENT IS UNL1M PREFACE When “The Effects of Atomic Weapons” was published in 1950, the explosive energy yields of the fission bombs available at that time were equivalent to some thousands of tons (i.e., kilotons) of TNT. With the development of thermonuclear (fusion) weapons, having energy yields in the range of millions of tons (i.e., megatons) of TNT, a new presentation, entitled “The Effects of Nuclear Weap­ ons,” was issued in 1957. A completely revised edition was published in 1962 and this was reprinted with a few changes early in 1964. Since the last version of “The Effects of Nuclear Weapons” was prepared, much new information has become available concerning nuclear weapons effects. This has come in part from the series of atmospheric tests, including several at very high altitudes, conducted in the Pacific Ocean area in 1962. In addition, laboratory studies, theoretical calculations, and computer simulations have provided a better understanding of the various effects. Within the limits imposed by security re­ quirements, the new information has been incorporated in the present edition. In particular, attention may be called to a new chapter on the electromagnetic pulse. We should emphasize, as has been done in the earlier editions, that numerical values given in this book are not—and cannot be—exact. They must inevitably include a substantial margin of error. Apart from the difficulties in making measurements of weapons effects, the results are often dependent upon circum­ stances which could not be predicted in the event of a nuclear attack. Furthermore, two weapons of different design may have the same explosive energy yield, but the effects could be markedly different. Where such possibilities exist, attention is called in the text to the limitations of the data presented; these limitations should not be overlooked. The material is arranged in a manner that should permit the general reader to obtain a good understanding of the various topics without having to cope with the more technical details. Most chapters are thus in two parts: the first part is written at a fairly low technical level whereas the second treats some of the more technical and mathematical aspects. The presentation allows the reader to omit any or all of the latter sections without loss of continuity. The choice of units for expressing numerical data presented us with a dilemma. The exclusive use of international (SI) or metric units would have placed a burden on many readers not familiar with these units, whereas the inclusion of both SI and common units would have complicated many figures, especially those with logarithmic scales. As a compromise, we have retained the older units and added an explanation of the SI system and a table of appropriate conversion factors. Preface Many organizations and individuals contributed in one way or another to this revision of “The Effects of Nuclear Weapons,” and their cooperation is gratefully acknowledged. In particular, we wish to express our appreciation of the help given us by L. J. Deal and W. W. Schroebel of the Energy Research and Development Administration and by Cmdr. H. L. Hoppe of the Department of Defense. Samuel Glasstone Philip J. Dolan ( CONTENTS Page Chapter I—General Principles of Nuclear Explosions ............................ 1 Characteristics of Nuclear Explosions........................................................ 1 Scientific Basis of Nuclear Explosions ...................................................... 12 Chapter II—Descriptions of Nuclear Explosions ..................................... 26 Introduction ................................................................................................... 26 Description of Air and Surface Bursts........................................................ 27 Description of High-Altitude Bursts........................................................... 45 Description of Underwater Bursts .............................................................. 48 Description of Underground Bursts ........................................................... 58 Scientific Aspects of Nuclear Explosion Phenomena............................... 63 Chapter III—Air Blast Phenomena in Air and Surface Bursts .............. 80 Characteristics of the Blast Wave in Air . . . . •........................................ 80 Reflection of Blast Wave at a Surface........................................................ 86 Modification of Air Blast Phenomena........................................................ 92 Technical Aspects of Blast Wave Phenomena.......................................... 96 Chapter IV—Air Blast Loading.................................................................... 127 Interaction of Blast Wave with Structures ................................................ 127 Interaction of Objects with Air Blast ..................................................... 132 Chapter V—Structural Damage from Air Blast ......................................... 154 Introduction ................................................................................................... 154 Factors Affecting Response......................................................................... 156 Commercial and Administrative Structures................................................ 158 Industrial Structures........................................................................................ 165 Residential Structures.................................................................................... 175 Transportation................................................................................................ 189 Utilities........................................................................................................... 195 Miscellaneous Targets .................................................................................. 206 Analysis of Damage from Air Blast........................................................... 212 Chapter VI—Shock Effects of Surface and Subsurface Bursts ................ 231 Characteristics of Surface and Shallow Underground Bursts ................... 231 Deep Underground Bursts............................................................................ 238 Damage to Structures..................................................................................... 241 Characteristics of Underwater Bursts ......................................................... 244 Technical Aspects of Surface and Underground Bursts ................. 253 Technical Aspects of Deep Underground Bursts ..................................... 260 Loading on Buried Structures...................................................................... 263 Damage from Ground Shock ...................................................................... 265 Technical Aspects of Underwater Bursts................................................... 268 Chapter VII—Thermal Radiation and Its Effects .................................... 276 Radiation from the Fireball ......................................................................... 276 Thermal Radiation Effects............................................................................ 282 Incendiary Effects.......................................................................................... 296 Incendiary Effects in Japan ......................................................................... 300 Technical Aspects of Thermal Radiation................................................... 305 Radiant Exposure-Distance Relationships................................................... 316 Chapter VIII—Initial Nuclear Radiation ................................................... 324 Nature of Nuclear Radiations...................................................................... 324 Gamma Rays.................................................................................................. 326 Neutrons ........................................................................................................ 340 Transient-Radiation Effects on Electronics (TREE).................................. 349 Technical Aspects of Initial Nuclear Radiation ....................................... 353 Chapter IX—Residual Nuclear Radiation and Fallout ............................ 387 Sources of Residual Radiation ...................... ....................................... 387 Radioactive Contamination from Nuclear Explosions ............................ 409 Fallout Distribution in Land Surface Bursts ............................................. 414 Fallout Predictions for Land Surface Bursts ............................................. 422 Attenuation of Residual Nuclear Radiation................................................ 439 Delayed Fallout ............................................................................................. 442 Technical Aspects of Residual Nuclear Radiation.................................... 450 Chapter X—Radio and Radar Effects ........................................................ 461 Introduction .................................................................................................. 461 Atmospheric Ionization Phenomena........................................................... 462 Ionization Produced by Nuclear Explosions ............................................. 466 Effects on Radio and Radar Signals........................................................... 479 Technical Aspects of Radio and Radar Effects ....................................... 489 Chapter XI—The Electromagnetic Pulse and its Effects......................... 514 Origin and Nature of the EMP................................................................... 514 BMP Damage and Protection....................................................................... 523 Theory of the EMP...................................................................................... 532 Chapter XII—Biological Effects ................................................................. 541 Introduction .................................................................................................. 541 Blast Injuries.................................................................................................. 548 Burn Injuries.................................................................................................. 560 Nuclear Radiation Injury............................................................................... 575 Characteristics of Acute Whole-Body Radiation Injury ......................... 583 Combined Injuries........................................................................................... 588 Late Effects of Ionizing Radiation.............................................................. 589 Effects of Early Fallout ............................................................................... 594 Long-Term Hazard from Delayed Fallout ................................................ 604 Genetic Effects of Nuclear Radiation ......................................................... 609 Pathology of Acute Radiation Injury ......................................................... 614 Blast-Related Effects..................................................................................... 618 Effects on Farm Animals and Plants........................................................... 618 Glossary.............................................................................................................. 629 Guide to SI Units ............................................................................................. 642 Index.................................................................................................................... 644 CHAPTER I GENERAL PRINCIPLES OF NUCLEAR EXPLOSIONS CHARACTERISTICS OF NUCLEAR EXPLOSIONS INTRODUCTION 1.01 An explosion, in general, re­ sults from the very rapid release of a large amount of energy within a limited space. This is true for a conventional “high explosive,” such as TNT, as well as for a nuclear (or atomic) explosion,1 although the energy is produced in quite different ways (§ 1.11). The sudden liberation of energy causes a consider­ able increase of temperature and pres­ sure, so that all the materials present are converted into hot, compressed gases. Since these gases are at very high tem­ peratures and pressures, they expand rapidly and thus initiate a pressure wave, called a “shock wave,” in the surrounding medium—air, water, or earth. The characteristic of a shock wave is that there is (ideally) a sudden increase of pressure at the front, with a gradual decrease behind it, as shown in Fig. 1.01. A shock wave in air is gen­ erally referred to as a “blast wave” because it resembles and is accompan­ ied by a very strong wind. In water or in * the ground, however, the term “shock” is used, because the effect is like that of a sudden impact. 1.02 Nuclear weapons are similar to those of more conventional types insofar as their destructive action is due mainly to blast or shock. On the other hand, there are several basic differences be­ tween nuclear and high-explosive weapons. In the first place, nuclear ex­ plosions can be many thousands (or millions) of times more powerful than the largest conventional detonations. Second, for the release of a given amount of energy, the mass of a nuclear explosive would be much less than that of a conventional high explosive. Con­ sequently, in the former case, there is a much smaller amount of material avail­ able in the weapon itself that is con­ verted into the hot, compressed gases mentioned above. This results in some­ what different mechanisms for the ini­ tiation of the blast wave. Third, the temperatures reached in a nuclear ex­ plosion are very much higher than in a 'The terms ''nuclear’’ and atomic" may be used interchangeably so far as weapons, explosions, and energy are concerned, but “nuclear” is preferred for the reason given in § 1.11. 1 2 GENERAL PRINCIPLES OF NUCLEAR EXPLOSIONS AMBIENT PRESSURE DISTANCE Figure 1.01. Variation of pressure (in excess of ambient) with distance in an ideal shock wave. conventional explosion, and a fairly large proportion of the energy in a nu­ clear explosion is emitted in the form of light and heat, generally referred to as “thermal radiation.” This is capable of causing skin burns and of starting fires at considerable distances. Fourth, the nu­ clear explosion is accompanied by highly-penetrating and harmful invisible rays, called the “initial nuclear radia­ tion.” Finally the substances remaining after a nuclear explosion are radioac­ tive, emitting similar radiations over an extended period of time. This is known as the “residual nuclear radiation” or “residual radioactivity” (Fig. 1.02). 1.03 It is because of these funda­ mental differences between a nuclear and a conventional explosion, including the tremendously greater power of the former, that the effects of nuclear weapons require special consideration. In this connection, a knowledge and understanding of the mechanical and the various radiation phenomena associated with a nuclear explosion are of vital importance. 1.04 The purpose of this book is to describe the different forms in which the energy of a nuclear explosion are re­ leased, to explain how they are propa­ gated, and to show how they may affect people (and other living organisms) and materials. Where numerical values are given for specific observed effects, it should be kept in mind that there are inevitable uncertainties associated with the data, for at least two reasons. In the first place, there are inherent difficulties in making exact measurements of weapons effects. The results are often dependent on circumstances which are difficult, if not impossible, to control, even in a test and certainly cannot be predicted in the event of an attack. Fur­ thermore, two weapons producing the

czwartek, 7 października 2021

⁴ᴷ⁶⁰ Walking NYC (Narrated) : Broadway from Times Square to South Ferry ...

THE ART OF NEGOTIATING

...ZACZNIJMY JESZCZE RAZ. ALE TYM RAZEM KAŻDA ZE STRON POWINNA PAMIĘTAĆ, ŻE UPRZEJMOŚĆ NIE JEST OZNAKĄ SŁABOŚCI, A WŁASNĄ SZCZEROŚĆ ZAWSZE NALEŻY UDOWODNIĆ. NIGDY NIE PODEJMUJMY NEGOCJACJI ZE STRACHU. I NIGDY NIE VÓJMY SIĘ PODEJMOWAĆ NEGOCJCJI. JOHN F. KENNEDY

Symphony No. 9, Op. 125. Molto vivace

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APEL Copyright

POST ROBOCZY FRAGMENTY 

 

 (.....)

 

 

 

 

 

 

 

 

 

 

Copyright – Wikipedia, wolna encyklopedia

 

Copyright

Przejdź do nawigacji Przejdź do wyszukiwania

Copyright – system prawa autorskiego funkcjonujący w państwach, w których obowiązuje common law, w tym w Wielkiej Brytanii, USA i Australii.

W odróżnieniu od systemu droit d’auteur, system copyright tradycyjnie obejmuje tylko autorskie prawa majątkowe (prawa osobiste istnieją na podstawie postanowień konwencji berneńskiej, ale są słabsze od majątkowych). Podkreśla się, że prawo autorskie mniej służy ochronie interesów twórcy, a bardziej społeczeństwu (rozwojowi kultury, nauki)[1]. Ponadto na charakter systemu copyright wpływają cechy samego common law. Na przykład ustawy autorskoprawne są bardziej szczegółowe i dłuższe niż w państwach systemu droit d’auteur, ponieważ nie ustalają one podstawowych zasad prawa[2]

 

 https://pl.wikipedia.org/wiki/Copyright

 

 

 

 

piątek, 30 lipca 2021

Vom Umgang mit Gedichten - Golo Mann im Gespräch mit Hildegart Eichholz

"Des Menschen wahre Wahrheit": Golo Mann im Interview (1989) 6/6

"Des Menschen wahre Wahrheit": Golo Mann im Interview (1989) 5/6

"Des Menschen wahre Wahrheit": Golo Mann im Interview (1989) 4/6

"Des Menschen wahre Wahrheit": Golo Mann im Interview (1989) 3/6

"Des Menschen wahre Wahrheit": Golo Mann im Interview (1989) 2/6

"Des Menschen wahre Wahrheit": Golo Mann im Interview (1989) 1/6

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50 Minute Documentary on HENRI CARTIER BRESSON Pen, Brush & Camera

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czwartek, 22 lipca 2021

Po co starość

Durch Eintracht wächst das Kleine, durch Zwietracht zerfällt das Größte. Sallust "....Młodość jest niespokojna, żarliwa, gorąca,trudna, bolesna, tragiczna, płonaca, rwąca się jak struna..." Jarosłąw Iwaszkiewicz 1961 .. to mozna odnieść również do starości. .. 22 lipca 2021 -14:54 Kielce Pl

Fwd: What I Wish I Knew If I Started Street Photography All Over Again



---------- Forwarded message ---------
Od: ERIC KIM <newsletter@erickimphotography.com>
Date: śr., 21 lip 2021 o 20:23
Subject: What I Wish I Knew If I Started Street Photography All Over Again
To: Andrzej Czerwinski <andrzej.czerwinski22@gmail.com>


What I Wish I Knew If I Started Street Photography All Over Again

Dear friend,

Finally got my first good night of sleep from the last year (apparently raising a kid is difficult). But anyways, as I prepare for my new upcoming workshops in Seattle (August 27th, Friday) and in Downtown LA (September 11, Saturday), I wanted to use this opportunity to reflect and meditate on street photography, why I love it so much and why I'm so passionate about it.

This is the blog post I am currently working on, but will also share some turbo street photography thoughts in this newsletter:


1. Street photography is the secret to happiness?

A simple thought:

There is probably nothing that brings me more joy than street photography.

The chance to explore, travel, see, experience, interact with other humans, and make artwork. Isn't this the 'full stack' visual experience?

If there is anything I have learned it is this:

The supreme life activity for us is to make art work.

And for us, we love being outside. We like being on the streets. We don't like staying home. This is why street photography is perfect for us.

2. Digital street photography is king

I love film and there are extremely useful things about learning film. But at the end of the day, I see digital photography as king. Why?

You can shoot more, edit more, process and share your photos quicker and more effectively ... which will increase the learning 'feedback loop' for your photography.

RICOH GR III as currently the perfect street photography camera. Even better than any Leica M camera [LEICA MANUAL PDF].

3. Street photography interpretation is up to you

The big thing:

Street photography should and must be defined by you.

You don't need to shoot human beings. You can even make interesting street photographs in the (boring) suburbs! Even for myself currently being in the suburbs, I am entertaining myself with shooting more 'urban landscapes' in the neighborhood, and even at the local Costco.

4. Study the masters, then kill the masters.

100 Lessons From the Masters of Street Photography [PDF LINK] -- the biggest takeaway:

Study the masters of photography, then kill them.

You must become the master of your street photography and yourself.

We cannot be connected to the umbilical chord forever. Wouldn't you one day prefer to be regarded as a street photography master, than to simply kowtow to those who have come before you?

Once again:

The goal is for you to become the street photography master.

ERIC KIM


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Get real feedback on your photos

If you want to really get constructive critique on your photos, upload them to arsbeta.com

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Turbo thought of the day

Art is more important than knowledge and 'wisdom'.

  1. We hunger for new experiences
  2. Best to avoid all goals in life.
  3. Exploit your current situation and scenario to the maximum

More on the blog >

If this inspired you, feel free to forward to a friend!

View web version //

Po co starość?

Znalazłem ciekawą wypowiedź na ten temat:

"...Największym darem starości jest spojrzenie z dalekiej perspektywy..."
..
Bezapelacyjna prawda byłaby wtedy, gdyby to było spojrzenie obejmujące kontekst tamtej sytuacji - także emocjonalny. To jest niemożliwe - wystarczy spojrzeć na datę wczorajszą: kilkaset zdań byłoby mało; prawdopodobnie jest to niemożliwe już dziś.

"...którym możemy obdzielić wszystkie sprawy tego świata.."
Jarosław Iwaszkiewicz 1961
..
(....)

22 lipca 2021 - 14:27

poniedziałek, 21 czerwca 2021

TRACTATUS LOGICO-PHILOSOPHICUS - PDF Free Download

TRACTATUS LOGICO-PHILOSOPHICUS - PDF Free Download: BIBLIOTEKA KLASYKÓW FILOZOFII LUDWIG WITTGENSTEIN TRACTATUS LOGICO-PHILOSOPHICUS Przełożył i wstępem opatrzył BOGUSŁAW WOLNIEWICZ 2000 WYDAWNICTWO NAUKOWE PWN Dane o oryginale Ludwig Wittgenstein, Tractatus

wtorek, 11 maja 2021

Fwd: ECCE HOMO



---------- Forwarded message ---------
Od: Andrzej Antoni Czerwiński <pascal.alter@gmail.com>
Date: niedz., 24 lut 2019 o 11:17
Subject: ECCE HOMO


THE PROJECT GUTENBERG EBOOK, ECCE HOMO ***This file should be named 7ecce10.txt or 7ecce10.zipCorrected EDITIONS of our eBooks get a new NUMBER, 7ecce11.txtVERSIONS based on separate sources get new LETTER, 7ecce10a.txtProject Gutenberg eBooks are often created from several printededitions, all of which are confirmed as Public Domain in the USunless a copyright notice is included. Thus, we usually do notkeep eBooks in compliance with any particular paper edition.We are now trying to release all our eBooks one year in advanceof the official release dates, leaving time for better editing.Please be encouraged to tell us about any error or corrections,even years after the official publication date.Please note neither this listing nor its contents are final tilmidnight of the last day of the month of any such announcement.The official release date of all Project Gutenberg eBooks is atMidnight, Central Time, of the last day of the stated month. Apreliminary version may often be posted for suggestion, commentand editing by those who wish to do so.Most people start at our Web sites at:http://gutenberg.net orhttp://promo.net/pgThese Web sites include award-winning information about ProjectGutenberg, including how to donate, how to help produce our neweBooks, and how to subscribe to our email newsletter (free!).Those of you who want to download any eBook before announcementcan get to them as follows, and just download by date. This isalso a good way to get them instantly upon announcement, as theindexes our cataloguers produce obviously take a while after anannouncement goes out in the Project Gutenberg Newsletter.http://www.ibiblio.org/gutenberg/etext04 orftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90Just search by the first five letters of the filename you want,as it appears in our Newsletters.Information about Project Gutenberg (one page)We produce about two million dollars for each hour we work. Thetime it takes us, a rather conservative estimate, is fifty hoursto get any eBook selected, entered, proofread, edited, copyrightsearched and analyzed, the copyright letters written, etc. Ourprojected audience is one hundred million readers. If the valueper text is nominally estimated at one dollar then we produce $2million dollars per hour in 2002 as we release over 100 new textfiles per month: 1240 more eBooks in 2001 for a total of 4000+We are already on our way to trying for 2000 more eBooks in 2002



piątek, 9 kwietnia 2021

Ustawa Digital Millennium Copyright Act

Ustawa Digital Millennium Copyright Act

Ustawa Digital Millennium Copyright Act

Polityka Google nakazuje nam reagować na zrozumiałe powiadomienia w sprawie rzekomego naruszenia praw autorskich. Nasza reakcja na powiadomienie może obejmować usunięcie materiałów, które zostały zgłoszone jako naruszające prawa autorskie, uniemożliwienie do nich dostępu lub zakończenie subskrypcji. Podejmując działania w odpowiedzi na powiadomienie, możemy poinformować o tym osobę potencjalnie naruszającą prawa lub administratora witryny, której dotyczy zgłoszenie.

Możemy również dokumentować powiadomienia o domniemanym naruszeniu prawa, na podstawie których podejmujemy działania. Treść takiego powiadomienia możemy przesłać do organizacji non-profit Lumen, która opublikuje je po usunięciu określonych danych osobowych. Przykład takiej publikacji znajduje się tutaj. W przypadku usług takich jak Wyszukiwarka Google w miejsce usuniętej treści umieszczamy link do powiadomienia opublikowanego przez Lumen.

Na tej stronie znajdują się instrukcje składania tych typów skarg:

  • Powiadomienie o naruszeniu praw
  • Roszczenie wzajemne

Powiadomienie o naruszeniu praw

Aby przesłać powiadomienie o naruszeniu praw, zgłoś skargę, wykonując czynności opisane w naszym narzędziu do rozwiązywania problemów prawnych. Po wskazaniu usługi konieczne będzie podanie wszystkich informacji określonych poniżej. Jest to warunkiem poprawnego złożenia skargi DMCA. Pamiętaj, że jeśli niezgodnie z prawdą oświadczysz, że usługa lub działanie narusza Twoje prawa autorskie, możesz ponieść odpowiedzialność za wyrządzone szkody (łącznie z kosztami postępowania i usług prawnych). Przepisy te są naprawdę egzekwowane – w jednym z dotychczasowych przypadków (więcej informacji znajdziesz pod adresem http://www.onlinepolicy.org/action/legpolicy/opg_v_diebold/) od firmy, która przesłała powiadomienie o naruszeniu praw oraz żądała usunięcia materiałów opublikowanych online i chronionych na mocy prawa dozwolonego użytku, zasądzono zwrot kosztów postępowania i usług prawnych. Firma zgodziła się zapłacić ponad 100 000 USD. W razie braku pewności, czy określone materiały dostępne online naruszają Twoje prawa autorskie, proponujemy najpierw skontaktować się z prawnikiem.

Roszczenie wzajemne

Administrator witryny, której dotyczy roszczenie, lub osoba, która zamieściła w niej kwestionowaną treść, może wnieść roszczenie wzajemne zgodnie z sekcjami 512(g)(2) i (3) ustawy Digital Millennium Copyright Act. Po otrzymaniu roszczenia wzajemnego możemy przywrócić materiały.

Jeśli chcesz przesłać roszczenie wzajemne obejmujące jedną z poniższych usług, kliknij odpowiedni link:

Blogger
Wyszukiwarka Google
 

Jeśli Twój problem odnosi się do usługi niewymienionej powyżej, znajdź ją w naszym narzędziu do rozwiązywania problemów prawnych i wybierz opcję „Roszczenie wzajemne". Pamiętaj, że jeśli niezgodnie z prawdą oświadczysz, że usługa lub działanie nie narusza praw autorskich innych podmiotów, możesz ponieść odpowiedzialność za wyrządzone szkody (łącznie z kosztami postępowania i usług prawnych). W razie braku pewności, czy określone materiały naruszają prawa autorskie innych podmiotów, proponujemy najpierw skontaktować się z prawnikiem. 

Wypełniając formularz roszczenia wzajemnego, pamiętaj o podaniu konkretnych adresów URL lub innych danych umożliwiających jednoznaczną identyfikację usuniętych bądź zablokowanych materiałów.

Zamknięcie konta

W wielu usługach Google nie ma właścicieli kont ani subskrybentów. W przypadku usług, które mają właścicieli konta lub subskrybentów, Google zamknie konta użytkowników, którzy wielokrotnie naruszają prawa autorskie, biorąc pod uwagę odpowiednie okoliczności. Jeśli Twoim zdaniem właściciel konta lub subskrybent ponownie narusza prawa, skontaktuj się z firmą Google zgodnie z powyższą instrukcją i podaj informacje umożliwiające nam sprawdzenie, czy rzeczywiście tak jest.


https://support.google.com/legal/answer/1120734

sobota, 23 stycznia 2021

MEMENTO CENZURA

Pisałem o tym 19 stycznia 2019 tutaj w wersji skróconej - konkluzja; na papierze normalnie - bez porównania lepiej się pisze i zachowuje. Postępowanie "BigTech " uważam za szkodliwe przede wszystkim dla tych firm. Użytkownicy poradzą sobie bez porównania lepiej - otóż ta zależność jest wzajemna tylko pozornie. Tak można to ująć oględnie mówiąc.(23 stycznia 2021 - 22:36 Kielce Pl)(...)


Fwd: Andreas Feininger

a>>


„Die Tatsache, dass eine (im konventionellen Sinn) technisch fehlerhafte Fotografie gefühlsmäßig wirksamer sein kann als ein technisch fehlerloses Bild, wird auf jene schockierend wirken, die naiv genug sind, zu glauben, dass technische Perfektion den wahren Wert eines Fotos ausmacht."

Andreas Feininger




Dopiero 5 marca 1988 (sobota) w Warszawie nabyłem  książkę Andreasa Feininger`a Naukę o Fotografii
- Wydawnictwo Artystyczne iu Filmowe. Warszawa 1987.za ówczesne 1300 zł (!) - co zmusiło do tańszego hotelu - bodaj MDM..(...)
Nazajutrz lektura zamiast zajęć na UW - (...).
Podobnie w pociągu powrotnym do Kielc.
Jakie miłe wspomnienia: najważniejsze stwierdzenia - o stosunku do fotogrfii były zgodne z moimi doświadczeniami..wiele innych zresztą też. To była wielka satysfakcja jednak.
(...)


piątek, 15 stycznia 2021

Deutsche Welle @ Donald Tusk

Tusk na kongresie CDU. Zabrał głos ws. partii Orbana. - YouTube
Polska „kontrrewolucja